ABSOLUT 18@8,
Wei-Ling Gallery,
2010



Choy Chun Wei
Shopping ghettos,
Acrylic, oil paint,
collage on wood,
47cm x 48cm x 53cm, 2010










Choy Chun Wei
Letter To Yang
Acrylic, oil paint,
collage of printed papers
on wooden chopboard,
57cm x 50cm, 2010

My absolute bottles that will acompany my new 3D work for the Absolut 18@8 group show at Wei-ling Gallery this coming december.

Medium: Acrylic medium, Oil paint and collage of found printed letterforms on Absolut Vodka bootles. Year: 2010

ART FOR NATURE 2009
Rimbun Dahan, Malaysia











Title: The Manufactured Land
Medium: Oil, acrylic and collage on canvas
Size: 213cm x 213cm
Year: 2009

FORCE OF NATURE
Pace Gallery, Malaysia
12th - 26th Dec 2008





Title: Slippage
Medium: Oil, acrylic gel and printed papers collage on canvas
Size: 153cm x 122cm
Year: 2008

18@8: VICE AND VIRTUE
Wei-Ling Gallery, Malaysia,
13th Oct-13th Nov 2008




Title: Noise of Passionate Chaos
Medium: Oil, acrylic sand gel medium and printed paper collage on canvas
Size: 183cm x 138cm
Year: 2008






Title: Invasion of Great Souls
Medium: Oil, acrylic sand gel medium and printed paper collage on canvas
Size: 183cm x 138cm
Year: 2008

TUKAR GANTI: NEW MALAYSIAN PAINTINGS
HT Contemporary Space
39 Keppel Road, Tanjong Pagar Distripark #02-04,
Singapore 089065

17th Sept until 7th Oct 2008






View of Collapsing I and II in exhibition space.






Title: Collapsing II
Medium: Oil, acrylic, acrylic sand gel and printed papers collage on canvas
Size: 183cm x 138cm
Year: 2008


"Signs of disintegration as well as dissolution are also apparent in Choy Chun Wei’s ‘Collapsing I’ and ‘Collapsing II’. His paintings could be read as a collage or construction in which disparate elements of paint, shreds of advertisements are cohered into a singular visual whole. But the pictorial logic is a paradox – inchoate, yet maintaining a semblance to order, fragile yet solidly frontal, achieving an all over effect although it is also raw and fluid. As such, the works project optical noise as an invasive field that erases all distinctions into a leveling field that is both borderless and infective."

Simon Soon, curator of the "Tukar Ganti: New Malaysian Paintings"


Please go to link below for the essay:
http://www.vwfa.net/sg/exhibitionDetail.php?eid=88